The Early Days of a Better Nation |
Ken MacLeod's comments. “If these are the early days of a better nation, there must be hope, and a hope of peace is as good as any, and far better than a hollow hoarding greed or the dry lies of an aweless god.”—Graydon Saunders Contact: kenneth dot m dot macleod at gmail dot com Blog-related emails may be quoted unless you ask otherwise.
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Saturday, May 28, 2011
So I'm doing an after-dinner talk about robots and AI in SF for SICSA's PhD student conference and by way of introduction I say something that I only thought of that afternoon. Which is that as an SF writer I sometimes get asked to speak at events like this, relating SF to the actual practice of a discipline, and that it's just occurred to me that in every case SF owes that field an apology for getting it wrong. Take surveillance studies, for instance: we gave them Nineteen Eighty-Four, which is all about real-time surveillance rather than the accumulation and storage of records. This has people worked up about surveillance cameras and quite blasé about Google (etc) tracking their every move. Or take genomics, an area in which I've been quite involved, and the technologies associated with it: genetic engineering and genetic medicine. The SF template for these has been provided by Brave New World and Frankenstein. What these works have spawned, regardless of the intent of their creators, is a great lumbering monster of reactionary anxieties. And robotics, computer science, and AI? Yup, we did it again, from Čapek onwards (not to mention Mary Shelley's creature). And even when Eano Binder and Isaac Asimov had taken a hammer to the Revolt of the Robots cliché, almost all SF about robots and AI has dealt not with likely consequences but about, well, us: distinctively human-centred themes of labour, slavery, consciousness, identity; and the anxieties provoked when we see, or imagine, these replicated in a machine. And then I went on to give my talk about how SF has dealt with these. What I wonder, though, thinking about this, is whether there's any area of human endeavour or inquiry which has featured largely in SF, and that SF has handled in a way that hasn't been an utterly cringe-making travesty of what it's actually about. Suggestions welcome. 25 Comments:That's making the assumption that SF is an entirely predictive medium. It's not, it deals in possibilities, in the same way that non SF fiction deals with contemporary possibilities rather than concrete realities.
Arthur Clarke and geostationary orbits is the tech example that always comes up. But if you look closely you see that he published the idea, which he wasn't the first to have, in a letter to a radio/electronics magazine, not an SF magazine. I'm not thinking about tech predictions, which we often get right, but about the way an SF trope can frame a field in a way that has nothing to do with what those in that field see as its real concerns. And usually in a way that relates to pre-scientific concerns, indeed to religious myths (which themselves of course reflect real concerns). Even when the concerns are modern, they're much more about other anxieties than they ones the story is ostensibly about. Is it even possible to write about ETs without writing about the human 'other'? (This can be done consciously and well, as in District 9 or The War of the Worlds for that matter.)
Well, "A Logic Named Joe", by Leinster, got the internet just about right, even down to keeping the kiddies from seeing porn!
I feel you're doing a bit of what Cory Doctorow did the other day on Radio 4's Today programme (listen again), and the opposite of what Kevin Warwick was doing (he was the designated "gosh science fiction has got the present so right!" guest).
If you're talking about the framing of a discussion, as opposed to specific tech predictions, science fiction should get credit for the long-term view of environmental degradation and overpopulation concerns. True, society isn't discussing these issues with the seriousness called for by John Brunner and Isaac Asimov, but that's society's fault, not SF's.
SF does a pretty good job with the theme that new technologies are disruptive to existing institutions and the social order --- sometimes in a good way, sometimes not --- and that many of the most important of these effects are are unintended consequences.
Sex, media, teh internet ... I think we're seeing a pattern emerging here. A New Wave pattern? (2 out of 3.) A nice coincidence that this was posted at this time as I was just having a discussion about I, Robot on another forum. The discussion involved basically what is mentioned here except that we were talking about The Outer Limits tv show adaptation in which Leonard Nimoy was a guest actor.@Grif: I have been trying for years to remember the working title and author of A Logic Named Joe,,I recall reading it in a short story collection many years ago and had the same thoughts about it,thx for solving that for me!
Orwell may have gotten surveillance wrong, but Delany understood (in "Triton") that it would become acceptable if sold to the populace as vanity reality television.
SF tends to the satirical, so it's also going to tend to sneer and go 'this is shit'. There's not much of a story if we build a class of robots to do the manual labour, all the humans go fishing, the end. Although as I type that, I thought 'of course there is the Culture'.
"Sex, media, teh internet ... I think we're seeing a pattern emerging here. A New Wave pattern?" oops, commented before reading the commment that technical predictions don't count. Move along, nothing to see here...
Ken,
we gave them Nineteen Eighty-Four, which is all about real-time surveillance rather than the accumulation and storage of records. Perhaps I'm misreading your point, but it doesn't seem entirely fair to hold sf to account for not framing scientific fields the way those scientists frame their own discipline. After all, that's not the point of sf: it's to explore how technologies affect society and people, and really, the "great lumbering monster of reactionary anxieties" technological change provokes is pretty central to that relation. Likewise, I don't see the shame-facedness about realtime surveillance versus recordings in 1984, because what he was writing about was the social effects of a surveillance state. (One could argue how right he got that though as well.)
Ajay - I think the great weight of Orwell's emphasis is on the falsification of records (newspapers etc) rather than systematic tracking and keeping real records.
[cont'd] I know of one satirical utopia that proved to be uncannily accurate. It's quite an amusing book. It assumes that all the theories of the political economists of the time are absolutely correct, and examines what a society working on those principles would actually be like. It shows that, while staying true to exactly the principles of freedom prescribed, such a society must also necessarily be based on the grossest and vilest tyranny behind closed doors – the doors marked 'No admittance except on business'. The book is Capital by Karl Marx. Does that count?
Well, it's a nice try!
SF is not prophetic (with slight reservation left in as tribute to Christopher Hitchens,) rather the future is reverse engineered from SF or fiction in general. The zeitgeist, in real time, creates the truth or reality not the other way around. Our genetic imperative is to adapt our environment to our desire, not adapt to our environment. Our hubris leads us to manipulate our environment, and then adapt our genome to the "new and improved" environment, 2+2=5. I think most SF writers just over-estimate the pace of the social drift, as Ken has said here before, there’s a sort of wish fulfillment when fields discuss potential over real world achievements.
"thus de-stabilising the
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On the other hand, we also gave them nuclear power, the sliding doors on the bridge of the Enterprise, and various things from Minority Report.
By The Spirit of Creative Writing, at Saturday, May 28, 2011 2:27:00 pm