The Early Days of a Better Nation

Sunday, March 13, 2016



The shape of things to come: books

Orbit have done a cover launch for my forthcoming space opera The Corporation Wars: Dissidence and very good it looks too.



They've also announced that it and the rest of the trilogy is to be published by Orbit in the US. The second volume, The Corporation Wars: Insurgence is due to be published in December 2016, and the third (provisionally titled The Corporation Wars: Emergence) in spring 2017.

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The shape of things to come: events

Here's my schedule of public events for the coming year:

Next weekend, 17-20th March I'm a Guest of Honour at Deepcon 17, Fiuggi, Italy. (The other guest is Walter Koenig.) A small ebook collection (in English, and in Italian) of three of my short stories is coming from Future Fiction.

Friday 6 May at 7 pm I'm giving a talk, reading and signing at Central Library, Stirling for Off the Page, the Stirling Libraries' Book Festival.

11-12 June, Justina Robson and I are Guests of Honour at Fantasticon, Copenhagen, Denmark.

On Monday 1 August I'm giving a Creative Writing Masterclass at the Scottish Universities International Summer School.

29 October: Fangorn, Sarah Pinborough and I are Guests of Honour at Bristolcon, Bristol, UK.

And finally (for now) ... next year, I'm the NESFA Press Guest at Boskone 54, which will take place on Presidents Day Weekend (February 17-19, 2017) in Boston, MA at the Westin Waterfront Hotel.

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Thursday, November 15, 2012



Where Rockets Burn Through


For the second time in forty years, I'm a properly published poet, and in very distinguished company at that. Anthologies of science fiction poetry are almost as infrequent: this is the first I've seen since Frontier of Going and Holding Your Eight Hands came out in the Seventies. Edited by scholar and poet Russell Jones, introduced by Alasdair Gray, and inspired by (and featuring) the science fiction poetry of the late great Scottish Makar Edwin Morgan, Where Rockets Burn Through should rise higher and travel farther than its predecessors.

Free launch events: Edinburgh, Thursday 29 Nov and London, Thursday 6 December.

The Edinburgh event will feature readings by several local writers, including me. You have been warned.

Thursday 29 November, 6.00pm (Update - not 6.30, as I had before!)
Blackwell’s 53-59 South Bridge Edinburgh
FREE

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Wednesday, October 31, 2012



Cell Culture - Examining how science and literature interact

I've been remiss in not proclaiming earlier that I'm taking part in an event this Saturday, 14.00 to 15.45, at the Scottish Storytelling Centre on the High Street:
How accurately does modern literature portray the life sciences? In what way is the use of science within fiction evolving to create new genres such as “lab-lit”? Is there more in common, than is often imagined, between the way in which both writers and scientists work?

These are some of the fascinating topics that are up for discussion in an afternoon of fact and fiction examining how fiction portrays life sciences and genetics. The event is being produced by the ESRC Genomics Policy and Research Forum, in conjunction with the Scottish Storytelling Centre, on Saturday 3 November 2012.

Cell Culture will feature participants including: Dr Jennifer Rohn, cell biologist, editor of Lablit.com and author of Experimental Heart and The Honest Look; Ken MacLeod, celebrated science fiction author; and Pippa Goldschmidt, short story writer and former writer-in-residence at the Genomics Forum.

The authors will read from their work before engaging in a public discussion which will be chaired Professor Stuart Monro, Scientific Director of Dynamic Earth.
Tickets £5 - booking details here.

Finally, speaking of events, a wee reminder that Iain Banks and I are manifesting on Friday evening at the Linlithgow Book Festival.

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Monday, October 01, 2012



Two links

The left-wing market anarchists at Center for a Stateless Society have reprinted (with my permission and the publisher's) my Introduction to the American edition of The Star Fraction, as part of their ongoing series of left-libertarian classics. I hardly think it's anything of the kind, but who am I to argue? If it works to subvert the dominant paradigm, fine by me. (I'm not saying which dominant paradigm.)

The Herald magazine on Saturday published an interview with me, which is I think the first time I've ever featured in a lifestyle supplement. Thanks to Mike Calder of Transreal for the use of his shop for the photograph (in the print version only) of me holding a soft toy dinosaur and grinning wanly.

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Tuesday, September 25, 2012



More Manifestations

I'll be speaking (very briefly) at the Edinburgh City of Literature Salon this evening, along with Emily Dodd. We'll be talking about our residencies - mine at Napier, hers at Leith Library.

Speaking of speaking, you can hear me here being interviewed about The Night Sessions by Daniel Nexon, who blogs at The Duck of Minerva.

On Sunday 21 October, I'll be on a panel, Banning the Brave New World? The ethics of science at the annual Battle of Ideas festival of public debate, which this year is at the Barbican.

And finally ... Iain Banks and I are doing our well-known double act at the Linlithgow Book Festival. In the Masonic Halls, which is a first for me and probably Iain too. Eight quid gets you in (no funny handshake required).

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Sunday, September 16, 2012



Pointers

A nice review of The Night Sessions; another, longer, by Paul McAuley; me on my UK publisher's blog, on other stuff I do.

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Intrusion longlisted for Wellcome Trust Book Prize

Here. A strong list, of five novels and nine non-fiction books, and very good company for my book to be in. Needless to say, I'm well chuffed.

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Sunday, September 02, 2012



'The Surface of Last Scattering' is to become a film!



My short story 'The Surface of Last Scattering', published last year in TRSF (a well-received original anthology commissioned by Technology Review) is being made into a short film. Needless to say, I'm over the moon about this. Scattered is the graduation project of MetFilm School students Joshua Bregman (writer-director) and Victoria Naumova (producer), and they've pulled together an impressive team of students and professionals to make the film and act in it. I'm seriously in awe of, and deeply grateful to, the kind of talent that's throwing itself into realising my story on screen.

If you'd like to be a movie mogul - and let's face it, who wouldn't? - go to their fundraising site at IndieGoGo, contribute, and claim whatever amazing perk (which can include, as well as tangible mementoes and desirable treats, your name on the credits) matches your contribution.

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Tuesday, August 21, 2012



Edinburgh International Book Festival notes

Next Monday (27 August, 8:30pm - 9:30pm) I'm doing a Book Festival event, Scary Futuristic Fictions, at Peppers Theatre with Chris Beckett. (Tickets £10.00, £8.00 conc.) I've received (courtesy of the Book Festival) a copy of Chris's latest book, the widely praised Dark Eden, and I can't wait to read it.

Chris is replacing G. Willow Wilson, an author I was greatly looking forward to meeting and who regretfully had to cancel. Her new novel, Alif the Unseen, looks intriguing - a supernatural post-cyberpunk thriller from the storm centre of the Arab revolution. I hope Willow can be a guest at the festival (and/or a British science fiction convention - she has a deep background in comics fandom, comics writing, and political commentary) in the future. Meanwhile, best wishes to her from me and Chris.

In other news, the Genomics Forum again has a team covering the festival for Genotype. Because of work I couldn't commit to being on the reporting team myself, but has that stopped me blogging events for Genotype? No! My latest contribution is on last Saturday's appearance by Jennifer Rohn and Neal Stephenson, and contains enough controversial remarks to incite (I hope) a few comments - if so, over on Genotype, please, not here.

The third and last of Forum's own Book Festival events, The Scientist in Fiction: Creative or Crazed Genius? is on tomorrow Wednesday) at 7 pm.

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Tuesday, August 14, 2012



I have a new job!

I'm delighted to say that my appointment as Writer in Residence at Edinburgh Napier University has just been officially announced. The university's innovative MA in Creative Writing course, open to full-time and part-time students, is both practical and challenging, with a strong genre component. Over the past few years, I've met and been greatly impressed by its lecturers, course leaders and students, and I very much look forward to working with them.

The 2010-2011 Writer in Residence, Robert Shearman, has some interesting and slightly scary things to say about what the job involves. For more, equally enlightening and entertaining information about the course and its objectives, take a look through the blog - and expect to see some contributions there from me in the coming months.

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Thursday, July 19, 2012



The Black Train



The annual Semana Negra in Gijón, Asturias is a literary festival like no other. For one thing, it has a crowded and raucous funfair attached, complete with Ferris wheel, scary or sedate rides, and air thick with the smells of hot sugar and – this being Spain – abundant, freshly grilled meat. For another, its focus is on genres that some might not regard as literary as all: mainly crime fiction, or 'black novels' as they're called in Spain, with an added peppery dash of comics, westerns, horror, fantasy and science fiction. And finally, it's directly and proudly political.



Just how proudly and directly, I found out a couple of weeks ago when we rode from Madrid to Gijón on el Tren Negro - the Black Train. Hired to transport dozens of writers and journalists to the festival, the Black Train is part of Semana Negra's quarter–century of tradition. It has to defer to the time-tabled trains, so progress is full of unscheduled stops and starts. Our one scheduled stop was in Mieres, a coal-mining town in the mountains of Asturias, where we were due to be greeted by the mayor and a delegation of striking miners and taken on procession through the town for a late-afternoon two-hour lunch.

Thousands of miners in the mountains of northern Spain are on strike, against a projected slashing of the subsidies that keep the pits going. The strike is bitter and militant. Passing through one nearly deserted town and village after another, you can see why. It's also popular.

At La Robla in León, the province just south of Asturias, we found ourselves held up for an hour. Journalists piled out on the platform, mobiles to their ears. León miners had blocked the track up ahead, quite unaware that their comrades in the next province – and in a different union – were waiting for us.



This misunderstanding sorted, we arrived late at Mieres, where Paco Ignacio Taibo II, legendary crime writer and festival director, led a group of writers in solidarity T-shirts out to a tumultuous welcome from the mayor and a dozen likewise T-shirted miners. Songs were sung, to the accompaniment of a bagpiper and a drummer in Asturian costume, who then led writers, mayor and miners through the quiet town. After the mayor had rallied us to a brief sit-down in the main street, we arrived at a courtyard of laden tables. We might have done the lunch justice in two hours. We had twenty minutes and made the most of them. Then it was back on the train and down from the hills to the coast, and Gijón, where a brass band at the station played the Internationale as we climbed on the bus.



Apart from that - well, like I said, it was a literary festival like no other!

Many thanks to Ian Watson, Cristina Macía, Javi, and the whole magnificent team.

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Tuesday, July 03, 2012



The revolution will be audible

What with one thing and another I'd clean forgotten to mention that all thirteen of my novels are now available on Kindle, and that the first four of these (the Fall Revolution quartet) are also available as unabridged, professionally read audio downloads, at Amazon and at Audible - as is my novella, The Highhway Men.

Naturally, I'd be very interested in hearing (so to speak) what hearers think of the audiobooks. I suspect I'd find them hard to listen to myself, because at some level I already have the voices of the characters - and indeed the narrative voice, which is not necessarily my own even in third-person narration - in my head.

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Monday, June 25, 2012



The Night Sessions hits the US atheist market



Pyr, the energetic and immensely respected publisher of the US editions of my novels The Night Sessions and The Restoration Game, is the science fiction and fantasy imprint of the even more widely respected humanist and rationalist publisher Prometheus Books. That thought always leaves me with a wicked wee smile, because I knew Prometheus Books decades before they knew me.

I first came across some of their output in the National Secular Society's old bookshop on Holloway Road, and man, it was like discovering that you had a whole unknown branch of your family who'd made it big in America. And they'd been there for generations. Robert Ingersoll! A Civil War hero, in his day the most popular lecturer in America, and they had him in print. Thomas Paine! A Founding Father, one of British rationalism's own legendary figures, and they had him in print. Along with current writers who were already on my read-everything-they-write list: Martin Gardner! Isaac Asimov!

And lots more. They're not in any way narrow or sectarian in their rationalism. They even publish books by Calvin. (And Hobbes.)

Books such as Arthur Strahler's sledgehammering geological labour of love Science and Earth History: the Evolution/Creation Controversy, and Paul Kurtz's wise, pragmatic Forbidden Fruit: the Ethics of Secularism were, looking back, essential reading in preparation for writing my own first novel, The Star Fraction. More recently, Randell Helms' Gospel Fictions and Victor J. Stenger's God: The Failed Hypothesis were somewhere in the background of The Night Sessions.

So I'm very, very proud that Prometheus is running a full-page ad in a forthcoming issue of the atheist magazine Secular World, showing off some of their featured books, and that The Night Sessions is included, in a box of its own at the foot.

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Tuesday, May 01, 2012



A few reviews of The Night Sessions

The US edition of The Night Sessions is getting some thoughtful reviews online: from A Progressive on the Prairie, The King of Elfland's Second Cousin, Shiny Book Review, and Lex Communis. That last explores the book's religious angle from the interestingly different perspective of 'an unrepentant neo-Conservative, Catholic' viewpoint, and is strikingly generous. The author has been good enough to post his review on Amazon, so if you want to give it a thumbs-up, you know what to do.

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Monday, April 30, 2012



'It's life Jimmy, but not as we know it'



The National Library of Scotland has an exhibition, running until the end of June, of science fiction in Scotland. The exhibition is compact but comprehensive, with proportionate weight given to SF work in genre and mainstream modes, to comics, TV and films, and with unabashed exhibits of garish covers and artwork alongside fragile manuscripts and antiquarian rarities. SF is treated with the kind of respect and attention to detail that you might expect from someone who has a real love and knowledge of the genre - which turns out to be the case, as curator John Birch (above) explains.

In related videos you can see (so far) me, Charlie Stross and Gary Gibson give our various takes on being SF writers. Eventually these videos and others will be on the NLS site, but for now, enjoy on YouTube and, if you happen to be in Edinburgh in the next couple of months, drop in on the exhibition.

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Tuesday, April 24, 2012



Upcoming manifestation in New York


I'm delighted and honoured to have been invited to be on a panel on 'Life in the Panopticon' on Saturday May 5th at the Cooper Union in NYC, as part of the upcoming PEN World Voices Festival of International Literature.
Tiny surveillance drones that hover and stare. An Internet where every keystroke is recorded. The automated government inspection of hundreds of millions of e-mails for suspicious characteristics. The technological advancements spurred by the computing revolution have improved our lives, but have also diminished our privacy and enhanced the government’s power to monitor us. Writers and directors who have grappled with technology’s mixed blessings join civil liberties advocates to discuss ways of preserving our freedom in an era in which we all dwell in Bentham’s Panopticon—a prison that allows our wardens to observe us at all times without being seen themselves.

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Tuesday, April 17, 2012



Reviews round-up


Intrusion continues to get good reviews, from newspapers at interestingly different quarters of the political compass.

Here's the Daily Mail:
Dramatising a novel of ideas is the opposite of easy but Ken MacLeod manages it at an apparent stroll. He also conjures up a scarily plausible and cleverly detailed vision of mid-21st-century life - the weather (damp and really cold), computers (with wraparound specs and virtual keyboards), health Nazism (the illicit backyard cafes, where people eat bacon butties and smoke), and the looming brave new world offered by bio-engineering. Excellent.


Well to the Mail's left, a review of this and other books in the weekly Socialist Worker says:
Left wing science fiction author Ken MacLeod brings us a dark vision of a dystopian future in a novel that some have likened to George Orwell’s Nineteen Eighty-Four.

This tale of totalitarianism revolves around “the fix”—a pill that change your genetic make-up to fit into a world of forced conformity.

It’s a world where New Labour-style “freedom” is forced down your throat, while you live a life surrounded by CCTV and surveillance drones.

Expect MacLeod’s characteristic imagination, wit and venom in the latest novel from the author of The Execution Channel and The Night Sessions.


David Langford, in a round-up of recent SF/F in that fine old Tory daily The Telegraph, writes:
Big Nanny State is watching you. In Ken MacLeod’s near-future Intrusion (Orbit, £18.99), surveillance drones blanket London, all the databases are linked, and routine police torture is followed by trauma counselling. When the pregnant heroine refuses the pill that should correct her unborn child’s genes, she finds such crimethink is no longer tolerated… Thoughtful, plausible and scary.


In a similar round-up for the only English-language socialist daily paper, my comrade and friend Mat Coward writes in the Morning Star:
In Intrusion (Orbit, £18,99) modern SF's leading Cassandra Ken MacLeod turns his fire on nannyism, that moralistic false turn which has contributed so much in the last 20 years to isolating the left from its natural supporters.

In a near-future Britain where women can't buy alcohol without proving they're not pregnant and second-hand books are no longer sold in case they carry traces of fourth-hand tobacco smoke, a Londoner named Hope, expecting her second child, decides that she won't take The Fix, a single pill designed to eradicate genetic "defects" in foetuses.

Under a benevolent, neo-democratic regime, The Fix is, of course, voluntary - until you try to refuse it.

MacLeod certainly delights in raising questions which creatively discomfort his fellow socialists.

But he shuns the cynicism and defeatism which mars most satirical writing - not to mention the defiant unreadability of many of his famous contemporaries.
At (very) different times in my chequered political past, I've sold Socialist Worker and the Morning Star, and I still read both regularly (and buy them when I get the chance) but I'm not entirely sure that I still count as a 'fellow socialist' - as I explained when I was interviewed a couple of years ago by the then up-and-coming and now world-famous radical journalist Laurie Penny for, yes, the Morning Star. I am sure, however, that these two left-wing newspapers have caught something about the book that's been missed by likewise generous reviewers who see it as a 'socialist dystopia'.

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Thursday, April 12, 2012



Impending Manifestations

I have a number of public events coming up, starting tomorrow!

Friday 13 April, 5.30 pm: Human 2.0, a panel on transhumanism/posthumanism with bioethicist Andy Miah, SF writer Justina Robson and sociologist Professor Steve Fuller at the National Museum of Scotland, as part of the Edinburgh International Science Festival.
What does it means to be human, past, present and future? As we re-engineer the human body, and even the human genome – through technology, drugs and genetic manipulations – how do we define and value our humanity? What are the social, political and cultural challenges inherent in our enhanced future? As part of our Future Human mini festival, sociologist and author Professor Steve Fuller, and sci-fi writers Ken MacLeod and Justina Robson, join ethicist Andy Miah to mull over these compelling questions. Are we facing a re(evolution) of the species?
The following morning, I expect to bounce out of bed, shower, get dressed, pack, grab some toast and rush to the station to travel to Leicester, to arrive mid-afternoon for:

Saturday 14 to Sunday 15 April: I'm one of the Guests of Honour heading up a guest list that most SF/F cons would kill for at the lively and highly commendable annual 'fantastic weekend for readers and writers of science fiction, fantasy and horror', now in its sixth year, Alt.Fiction, Phoenix Digital Arts Centre, Leicester.

And that's not all! Later this month, I have another two events one night apart:

Genetic Fictions: Genes and Genre, Tue 24 Apr 2012, 18.30 - 20.00, at the Conference Centre, British Library, London, Price: £7.50 / £5 concessions.
Join leading Social Scientists from the ESRC Genomics Network, including Dr Joan Haran (Cesagen, Cardiff University) author of the forthcoming book 'Genetic Fictions: Genes, Gender and Genre', along with award-winning playwright Peter Arnott and Science Fiction author Ken MacLeod as they consider how genes and genetics are represented in literature and theatre. There will be plenty of time for questions and discussion. The evening will be chaired by Jude England, Head of Social Sciences at the British Library. [Further details here.]
Another day, another sci/lit event:

Wednesday 25th April 9:30am to 5pm in Zochonis TH A (B5), University of Manchester: a day-long workshop 'Putting the Science in Fiction' Interfaculty Symposium on Science and Entertainment.
Many people look suspiciously at science in fictional media and may ask themselves: Why don't the creators of fiction ever talk to real scientists? In fact, those who write novels, craft television scripts, create movies, and produce stage plays do speak with scientists on a regular basis. This workshop explores how science provides challenges and opportunities for the creators of fiction. By bringing together leading entertainment professionals, novelists, arts scholars, and scientists the workshop will forge new relationships between the scientific community and the arts/entertainment community. One goal of the workshop is to begin discussions about creating a "Science and Entertainment" collaboration programme in the UK equivalent to the Science and Entertainment Exchange run by the National Academy of Sciences in the US.
This event is free but spaces are limited - you can see how to book a place by clicking on the link.

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Tuesday, April 03, 2012



The Restoration Game is a Prometheus Award finalist


I'm delighted and honoured to learn that The Restoration Game is among the six finalists for the Prometheus Award from the Libertarian Futurist Society.

I'm also, I have to admit, surprised. The Prometheus Award is for SF/F novels that 'stress the importance of liberty as the foundation for civilization, peace, prosperity, progress and justice.' While I whole-heartedly agree with that premise, it was far from uppermost in my mind when I wrote the book. But I quite see how it could be read that way, and I'm glad that it has been.

The Restoration Game contains more incidents based on real events than any other of my books. The Ural Caucasian Mineral Company's annual report was based on one from the real-life Ural Caspian Oil Corporation that I found in a dusty brown envelope. This and other incidents are described here.

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