The Early Days of a Better Nation

Monday, November 22, 2021



Book launch for BEYOND THE HALLOWED SKY

Details here.

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Saturday, August 21, 2021



‘Nineteen Eighty-Nine’

I’m very happy to say that I have a short story, ‘Nineteen Eighty-Nine’, in the first issue (Autumn 2021) of the new online science fiction, fantasy and horror magazine ParSec, edited by Ian Whates, now available here from PS Publishing .



The story has been long in the making. Sometime in the early 1990s I had an idea for a story called ‘Nineteen Eighty-Nine’, in which events like those of 1989 in our world happen in the world of George Orwell’s Nineteen Eighty-Four. I wrote it and sent it to Interzone, and they sent me a kind rejection note suggesting that I try a local fanzine. I sent it to the local fanzine New Dawn Fades, and they rejected it. The editor softened the blow by encouraging me to write something else for them. They later accepted, I think, a review and a poem. But for the moment, I was done with short stories. After that, there was nothing for it but to write a novel.

That’s the story I’ve told now and again, usually with the punch-line that the best thing about the story was the title, because it tells you exactly what the story is about.

Now I’m going to have to retire that anecdote.

Earlier this year, shortly after I had read that Orwell’s fiction was now out of copyright, Ian Whates emailed me to ask for a story for a new venture he was planning. I pitched ‘Nineteen Eighty-Nine’. Ian was keen, so I looked at my old story (or what I could find of it), decided it was beyond help, and wrote an entirely new story. I’m fairly sure it’s an improvement on my first attempt.

One inspiration for the new version was the article ‘If there is Hope’ by Tony Keen, in Journey Planet #3 (pdf). Another was the article Orwell on Workers and Other Animals, by Gwydion M. Williams, which makes the intriguing point that 1945 is missing from the world of Nineteen Eighty-Four.

While writing the story I chanced on a clue to Orwell’s pessimism that, as far as I know, has escaped scholarly attention. Orwell, it turns out, had read and been impressed by George Walford's pamphlet The Intellectual and the People.

Walford drew on his mentor Harold Walsby's The Domain of Ideologies, the founding text of what Walford later called Systematic Ideology. This argued that the major social outlooks form a historical, numerical, and political series in decreasing order of antiquity, size, unity, and radicalism. The (historically) oldest and (currently) largest group is the apolitical, followed by the conservative, the reformist, the revolutionary, and the anarchist ... with the tiniest, least effectual and most extreme group being the Systematic Ideologists themselves, who understand the whole process but can't think what to do about it.

More about this another time, but it seems to me significant that Orwell attributed political apathy, ignorance and indifference to – not 'perhaps the largest single group' of the population, as Walford did – but to the vast majority: 85%.
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Sunday, October 04, 2020



Vaping

'Somebody died fae vaping. Yir better aff back on the fags.'

--- Lady at bus stop, a few months ago.

You might think it bad taste to talk about vaping in the middle of a pandemic, and you'd be right. But this hasn't stopped a slew of public health bodies, politicians, and activists from doing just that, so I see no reason to unilaterally disarm.

If you want some proper science and good sense on the topic, follow Clive Bates on Twitter, and read his excellent blog. Meanwhile, here's my own overdue rant.

I've been meaning to blog about vaping for a while. My Twitter feed sometimes seems to be about little else, rather to my embarrassment whenever I scroll through it. So I'll start by explaining why it matters to me. As with many vapers, my story begins with smoking.

To cut that long story short: I smoked, first a pipe then cigarettes, from my early twenties to my late fifties. I tried to quit many times. The annual ratchet of tax rises in the Budget reliably brought on another attempt. Surely I'll stop, I told myself, when they're over 50p a pack! Not even the £10 pack did the trick. Neither did Allen Carr's book, willpower, shame, and the pub smoking ban. One day about ten years ago I saw an electronic cigarette in a petrol station, and bought it. It was shaped like a cigarette and had a tip that glowed when you drew on it. After buying a few of these and finding it inconvenient when they ran down I soon was ordering the same brand with rechargeable batteries and replaceable cartridges. I was still smoking, but a bit less than before, and the ecig made pub conversations much more convivial and less often interrupted than they'd become. The kick was feeble, the nicotine faint, the taste indifferent, but it was better than nothing.

Then a student in a mid-morning break at Napier showed me a more advanced e-cig, with a refillable tank, and told me where to get them. That very lunchtime I hastened over the hill to Emporium Vapour at Gorgie Road, and bought a starter kit. Within weeks, and without trying, I'd gone from smoking a pack of cigarettes a day to a pack a month. I went from tobacco flavours to fruit, menthol, spearmint... eventually settling on Kiwi and Strawberry, a half dozen tiny bottles of which I've just ordered. I smoked what turned out to be my last cigarette in the early hours of New Year's Day, 2016. Vaping had succeeded where decades of New Year resolutions had failed.

In the meantime, I'd been through the battle over the EU's Tobacco Products Directive, which saw concerted efforts to ban or severely restrict vaping and frantic, largely self-funded efforts by vapers to save it. We all learned a lesson in how EU laws are made. The vaunted principles of transparency, evidence, proportionality and subsidiarity didn't, let's say, stand out. The outcome was some pointless, petty and harmful regulation that wasn't as bad as we'd feared – and thousands more people in Britain who hated the EU and were active, informed and outspoken about it on social media. I'm not saying it swung the referendum, but it can't have helped.

The real threat to vaping, however, came from the United States. As long as vaping was a hipster fad, it could be fought by ridicule and junk science, of which there was plenty. The typical experiment involved burning out ecig coils and forcing mice to breathe the resulting toxic smoke for a month. The results of the mouse autopsies could then be turned into excited press releases and even more excitable headlines.

Another line of attack was that the vaping industry – or, absurdly, the tobacco industry – was 'targeting kids'. In US usage, 'kids' can mean anything from toddlers to graduates, but let's be generous and assume it meant in this case teenagers. The massed ranks of mom and pop businesses and evangelical ex-smoker start-ups that made up Big Vape in those days were allegedly targeting teenagers with 'kid-friendly' flavours: sweet and fruit flavours, sometimes with names reminiscent of the kind of candies actual kids like. 'Gummy bears' was a common talking point. The slogan, repeated to this day, was 'Flavours hook kids'. The claim makes sense until you give it a moment's thought.

When you do give it a moment's thought, you recall that teenagers are anxious to put away childish things, to take on the trappings of adulthood as quickly they can, and to defy the conventions and pieties of the adult world as annoyingly as they can. This is, of course, one reason why they smoke cigarettes. If you wanted to appeal to teenagers, your ideal vape flavour branding would be redolent of tobacco harvested by slaves, shipped by pirates, imported by smugglers and smoked by highwaymen.

The real 'target' (i.e. market) for fruit and sweet flavoured vapes was people like me: adult smokers and ex-smokers and would-be ex-smokers. Smokers who take up vaping usually start with imitations of their familiar tobacco flavours, but fairly soon (perhaps because the imitations are not all that convincing – copying tobacco flavour has turned out to be surprisingly difficult) move on to sweet and fruit flavours. If these flavours are presented as having the generic tastes of sweets they enjoyed in childhood (and may not have tasted since, for the sake of their teeth or their waistlines) all the better -- it adds a touch of harmless nostalgia.

And that market – unlike the pocket-money, illegal market of high-school students – is huge. But open-tank vaping doesn't appeal to all of them. If only there was a product as convenient as cigarettes! A start-up company set out to design just that, and succeeded. Juul is a slim device with a USB-cable rechargeable battery and replaceable cartridges of liquid. It gives the same instant nicotine kick as a cigarette. So I'm told – thanks the above-mentioned petty EU regulations, the high-nicotine pods aren't available here.

The trouble with Juul was that these devices really did appeal to teenagers, mainly if not wholly the very teenagers who would otherwise have been (or indeed already were) smoking cigarettes. Juul and similar devices are easy to conceal, almost undetectable in discreet use, and leave no tell-tale smell. This duly set off a moral panic – at the same time as the prevalence of actual cigarette smoking among teenagers dropped to a historic low. The 'Flavours hook kids' nonsense has driven ban after ban on flavoured vaping liquids. This was (and is) bad enough.

Then came disaster.

Cannabis use is illegal in the US at a federal level, but in the past decade some states have legalised it: first for medicinal use, then recreationally. The possibility of vaping cannabis didn't escape attention, and was soon realised. Legal weed stores sell an eye-watering variety of vape pens and cartridges, as well as cannabis cakes, candies and for all I know actual leaf. Because it's legal in some places but not in others an illegal market soon sprang up. Some of the criminal entrepreneurs supplying it found that they could cut cannabis-based oils with thickening agents, one of them Vitamin E acetate. This turned out to be deadly. More and more people were rushed to hospital, and scores have died, with severe lung injuries. The source of the problem was soon exposed by the legal cannabis industry. It was obscured at first because the victims had often been vaping cannabis illegally (because of their age or location) and admitted only to 'vaping' or even, more alarmingly, to 'juuling'. Blood tests, however, soon showed what they'd been vaping. It wasn't nicotine.

The lie ran around the world before the truth got its boots on. Certain US public health authorities, notably the Centers for Disease Control, did their utmost to warn against 'vaping' and 'e-cigarette use' in general and almost nothing to warn against vaping illegal cannabis in particular. The misconception, to put it no more strongly, persists and is reinforced by various public health authorities, lazy journalists, and anti-vaping activists to this day.

That's why the little old lady at the bus stop kindly advised me to go back to smoking.
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Saturday, June 06, 2020



Best of British Science Fiction 2019

Best of British Science Fiction 2019, edited by Donna Scott, is now available to pre-order from Newcon Press. [Update 8 June: It's now available to pre-order on Kindle.] Check out this cover and the impressive Table of Contents:



Contents

• 2019: An Introduction – Donna Scott
• The Anxiety Gene – Rhiannon Grist
• The Land of Grunts and Squeaks – Chris Beckett
• For Your Own Good – Ian Whates
• Neom – Lavie Tidhar
• Once You Start – Mike Morgan
• For the Wicked, Only Weeds Will Grow – G. V. Anderson
• Fat Man in the Bardo – Ken MacLeod
• Cyberstar – Val Nolan
• The Little People – Una McCormack
• The Loimaa Protocol – Robert Bagnall
• The Adaptation Point – Kate Macdonald
• The Final Ascent – Ian Creasey
• A Lady of Ganymede, a Sparrow of Io – Dafydd McKimm
• Snapshots – Leo X. Robertson
• Witch of the Weave – Henry Szabranski
• Parasite Art – David Tallerman
• Galena – Liam Hogan
• Ab Initio – Susan Boulton
• Ghosts – Emma Levin
• Concerning the Deprivation of Sleep – Tim Major
• Every Little Star – Fiona Moore
• The Minus-Four Sequence – Andrew Wallace


My short story 'Fat Man in the Bardo', originally published in Shoreline of Infinity 14, and I'm well chuffed to see it here.

(TOC layout copy and pasted from the redoubtable Lavie Tidhar, who as you can see also has a story in it.)
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Wednesday, May 06, 2020



Solidarity stories

The idea of a society of entirely voluntary arrangements has its charms, but we don't live in one and are not likely to for quite some time. Until that happy day, public services should be funded out of taxation, rather than having to scrounge off the generosity of the public. In emergencies, however, we should pitch in. That's how I square my conscience with making donations, anyway. And if the inadequate supply of PPE to healthcare workers isn't an emergency, I don't know what is.

So I was happy to contribute a story to an anthology of SF, fantasy and horror conceived and edited by Ian Whates at NewCon Press, and compiled and published with breathtaking speed. At a quarter of a million words from some of the leading names in the field, a paperback version would be an epoch-making brick that cost a significant chunk of cash. Electronic and weightless, Stories of Hope and Wonder is a steal at £5.99 / $7.99. Every penny of the proceeds goes straight to providing PPE and other support to UK healthcare workers. A significant amount, I understand, has already been raised and donated. More is needed.

They can't wait. Buy it now.
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Monday, April 13, 2020



Lockdown gigs

I'm in Gourock, writing a space opera trilogy set in Gourock. That wasn't my pitch to the publisher, it's my pitch to myself, the marching song of these books. In the end there'll be very little of Gourock in it. But Gourock is science-fictional already. The world was changed from here, more than once. Every so often you see a nuclear submarine. They'll be in the trilogy.

Submarines also feature in a novella that's coming out sometime in the next month or two: Selkie Summer, from NewCon Press. Some years ago, between book contracts, I started writing a paranormal romance as an exercise, leaving it half-finished when the awaited boat came in. An online publisher showed interest in it as a novella, and was happy to wait until I'd finished The Corporation Wars. When I completed the novella two years ago, it was still front-loaded with an opening more suitable for a longer work, and for that and other reasons it didn't quite make the cut. I tinkered with it some more, and passed it to Ian Whates, who liked it and helpfully suggested further improvements. And after many vicissitudes, including a last-minute page-proof realisation that a Skye summer sunset was about an hour and a half later than I'd originally written, it's good to go! I'm very happy with the book's editing and production, and downright thrilled and delighted with Ben Baldwin's cover.

I'm not sure if Selkie Summer meets the criteria for paranormal romance, but it's still about a young woman who falls for a paranormal entity. It's set in a contemporary Scotland much like ours, except that certain paranormal entities definitely exist and this is taken for granted as a fact of natural history. Partly as a consequence, there is no Skye Bridge.

It was due to be launched by me and Ian at Cymera 2020, which has now been cancelled (though it has some online content, and will have more, so keep checking it out). Meanwhile, you can hear me reading from the opening chapter in the online version of Edinburgh's monthly science fiction and fantasy cabaret, Event Horizon.

Another event that has had to move online is the Edinburgh Science Festival. I was honoured to be asked to give a short talk on a non-religious topic at the Festival's traditional St Giles service. I happened to have just read a book that got me thinking about contingency, Corliss Lamont's Freedom of Choice Affirmed, so I freely chose to talk about that. And as the contingencies we all know worked out, it's now online here.

Finally, a plug for a project I'm proud to have contributed to: the just-published Edwin Morgan Twenties, a set of five selections of twenty poems by the late great Makar, with introductions by Jackie Kay, Liz Lochhead, Ali Smith, Michael Rosen and me. You can buy the set for the bargain price of £16 (UK post free) or pick and mix.

'Space and spaces', the one I wrote the introduction to, brings together many of Morgan's science fiction and space poems -- and one or two that make a more metaphorical use of 'space' to brilliant effect. Like the other selections it's a mere £4 (UK post free) and is available here.

UPDATE 14 April 2020: Selkie Summer is due to be published 19 May 2020 and is now available for pre-order from NewCon Press.
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Monday, February 17, 2020



The Sage of Freuchie

Tom Nairn: 'Painting Nationalism Red'?
Neal Ascherson
Democratic Left Scotland, n.d. (2018)


This is an odd pamphlet which is well worth getting. Some day it'll be a collector's item. It's well-produced on glossy paper, with a striking cover and, inside, a fine reproduction of the portrait whose gift and sitter the pamphlet celebrates. In these pages three big names meet: the author Neal Ascherson, the subject Tom Nairn, and the painter, Sandy Moffat.

It has already been reviewed, briefly and enthusiastically by Davie Laing, and lengthily and discursively by Rory Scothorne. There's no need for me to review it here, inevitable quibbles though I may have – I can only recommend it, as a small piece of history, and a useful summary of an argument that is still influencing that history.

The title, apt as the pun on 'painting' no doubt was for the occasion, does less than justice to the content: a concise intellectual biography of Nairn by the journalist who did a great deal to make his ideas part of common sense. Ascherson saw Scotland in an international context provided by his own wide-ranging life; Nairn's intellectual formation was likewise cosmopolitan; and for both Scotland was key to dismantling the 'archaic' structures of the British state.


The pamphlet can be obtained by sending a cheque for £4 (10% discount for orders of 10 or more) to:

Democratic Left Scotland,
9 MacAulay Street, Dundee DD3 6JT

If the archaic structures of 'cheque' and 'post' are too constraining, you can always enquire of the publisher by telephony and the interwebs:

Telephone 07826 488492
Email stuartfairweather [at] ymail [dot] com
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