The Early Days of a Better Nation

Tuesday, November 13, 2012



The Soul of Man after Socialism

I have another article up at the new online magazine Aeon, this time elaborating on some points about socialism and (post)humanism that I've made earlier.

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Sunday, September 16, 2012



Mapping the Post-human


For a few days in the first week of September I was in the Breton port city of Brest (which although medieval is an architectural riot of modernity, nearly every building except its impregnable chateau having been levelled in 1944) at an academic colloquium on Mapping Humanity and the Post-human to which I'd been invited by its organiser, the erudite and vivacious Hélène Machinal. Its programme was wide-ranging, and mostly in French. Although I couldn't follow everything that was said, I think I got the gist of most, and was kindly helped by a student who volunteered to sit beside me and pass notes.

I found it strange to be listening in to serious academic discussion of ideas that originated on the fringes of science fiction, and to hear 'Kurzweil', 'Vinge' and 'extropians' pop up from a flow of French discourse like yellow plastic ducks on the Seine. About half the discussion was on the post-human in mainstream literature and philosophy, but popular culture, movies, and SF were just as minutely and seriously anatomised.

My own presentation touched on my earliest encounter with extropianism and (that cheap laugh out of the way) argued that Darwin had made post-humanism possible: first, by establishing that humanity was a species with predecessors and (by implication) possible successors, and (therefore) that the human mind was the outcome of a material process; and secondly, by shifting the notion of 'species' from an essence to a population, with no intrinsic limit of variation. Once 'the human' ceases to be an essence, it loses its self-evident status as a standard of value. Watson and Crick followed up in 1953 by demonstrating the material basis of heredity, and hence the possibility of consciously changing it.

Two developments that were new in the 1980s and 1990s made post-humanism a project rather than a prophecy. The first was that thanks to Moore's Law and molecular biology, it became possible for the first time for people to imagine that they themselves might live into the post-human era. The second was that socialism, the global project whereby the International was to unite the human race, was over, and with it the counter-project of liberal humanism. Humanity is no longer an imagined community. If it's ever to become so again, something like the socialist project will have to be revived, or replaced by a different project with less hubris but no less ambition.

Otherwise the robots will rise up and eat our brains, if we haven't beaten them to it by bashing each other's heads in first.

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Sunday, September 02, 2012



'The Surface of Last Scattering' is to become a film!



My short story 'The Surface of Last Scattering', published last year in TRSF (a well-received original anthology commissioned by Technology Review) is being made into a short film. Needless to say, I'm over the moon about this. Scattered is the graduation project of MetFilm School students Joshua Bregman (writer-director) and Victoria Naumova (producer), and they've pulled together an impressive team of students and professionals to make the film and act in it. I'm seriously in awe of, and deeply grateful to, the kind of talent that's throwing itself into realising my story on screen.

If you'd like to be a movie mogul - and let's face it, who wouldn't? - go to their fundraising site at IndieGoGo, contribute, and claim whatever amazing perk (which can include, as well as tangible mementoes and desirable treats, your name on the credits) matches your contribution.

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Monday, August 13, 2012



When the Force really is with you

It's not every day you get to shake hands with someone whose name will be remembered on the starships. Today I did, unexpectedly. Participants in the Edinburgh International Book Festival can choose up to ten free tickets. One of mine was for Frank Close on his new book The Infinity Puzzle, about the search for the Higgs Boson. I sat down in the packed-out Scottish Power Theatre tent, and saw on the screen that the event was to be chaired by Peter Higgs.

Chaired! By Peter Higgs!



In reality, of course, nothing of the sort took place. The session was introduced by the Festival Director, Nick Barley, who made it very clear how amazing this was. Frank Close outlined the physics, conducted a free-wheeling interview with Professor Higgs, then caught and passed on questions from the audience.

While this was going on I tried to figure out just why the tent was so packed and I was so excited. Like everyone in else in the entire world (obviously) I'd spent the morning of July 4th watching the live feed from the Cern press conference and tweeting madly about it. It was the best Big Science white-knuckle ride until the Curiosity landing last week. But in reality, what I know about physics could be written in biro on the back of my hand, and probably was at some point because I passed the first year physics exam at Glasgow University, albeit on the resit.

I stopped believing physics lectures when they got to electricity. That bit about holes moving where electrons could be but aren't? It might as well have been the poetry of Ezra Pound for all the sense I could make of it. Quantum mechanics? Relativity? I know the Standard Model works and I don't doubt for a moment that it's true to a trillion decimal places and explains, as Close said, 'seven percent of everything' (the rest being dark matter and all that) but there I walk by GPS and not by sight.

And, judging by the questions from the floor, I'm far from alone in this. But we were all thrilled to be there and I think I know why. We were in the presence of a man who has deservedly become the icon of understanding this stuff, and who advanced an idea about something so fundamental to the fabric of reality that we have to recreate conditions just after the Big Bang to test it. And just seeing him, right there in the flesh, gives us a sense of connection to that fundamental force, the Higgs field.

The signing tent was mobbed. All copies of The Infinity Puzzle were gone in seconds, or maybe picoseconds. I picked up a copy of Close's earlier paperback, Neutrino, and joined the queue. I sort of babbled when I asked Professor Higgs to add his signature to the author's.

On top of everything else, the man's a gent.

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Monday, August 06, 2012



Landings and crashes

Curiosity landed successfully this morning. In perspective:



See where spacecraft from Earth have landed on Mars, in this SPACE.com infographic.
Source SPACE.com: All about our solar system, outer space and exploration

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Thursday, July 19, 2012



The Black Train



The annual Semana Negra in Gijón, Asturias is a literary festival like no other. For one thing, it has a crowded and raucous funfair attached, complete with Ferris wheel, scary or sedate rides, and air thick with the smells of hot sugar and – this being Spain – abundant, freshly grilled meat. For another, its focus is on genres that some might not regard as literary as all: mainly crime fiction, or 'black novels' as they're called in Spain, with an added peppery dash of comics, westerns, horror, fantasy and science fiction. And finally, it's directly and proudly political.



Just how proudly and directly, I found out a couple of weeks ago when we rode from Madrid to Gijón on el Tren Negro - the Black Train. Hired to transport dozens of writers and journalists to the festival, the Black Train is part of Semana Negra's quarter–century of tradition. It has to defer to the time-tabled trains, so progress is full of unscheduled stops and starts. Our one scheduled stop was in Mieres, a coal-mining town in the mountains of Asturias, where we were due to be greeted by the mayor and a delegation of striking miners and taken on procession through the town for a late-afternoon two-hour lunch.

Thousands of miners in the mountains of northern Spain are on strike, against a projected slashing of the subsidies that keep the pits going. The strike is bitter and militant. Passing through one nearly deserted town and village after another, you can see why. It's also popular.

At La Robla in León, the province just south of Asturias, we found ourselves held up for an hour. Journalists piled out on the platform, mobiles to their ears. León miners had blocked the track up ahead, quite unaware that their comrades in the next province – and in a different union – were waiting for us.



This misunderstanding sorted, we arrived late at Mieres, where Paco Ignacio Taibo II, legendary crime writer and festival director, led a group of writers in solidarity T-shirts out to a tumultuous welcome from the mayor and a dozen likewise T-shirted miners. Songs were sung, to the accompaniment of a bagpiper and a drummer in Asturian costume, who then led writers, mayor and miners through the quiet town. After the mayor had rallied us to a brief sit-down in the main street, we arrived at a courtyard of laden tables. We might have done the lunch justice in two hours. We had twenty minutes and made the most of them. Then it was back on the train and down from the hills to the coast, and Gijón, where a brass band at the station played the Internationale as we climbed on the bus.



Apart from that - well, like I said, it was a literary festival like no other!

Many thanks to Ian Watson, Cristina Macía, Javi, and the whole magnificent team.

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Saturday, June 16, 2012



Red Plenty debated



A lively discussion of Francis Spufford's novel Red Plenty (about which I've enthused before) on the academic blog Crooked Timber has just about wrapped. Participants have looked at the book from many angles. One of the most intriguing contributions was by Cosma Shalizi, on the mathematical feasibility of the linear programming advocated by the book's central character as a solution to the problem of central planning. (Shalizi responds to responses here.)

My take, amended from one of my own comments:

In the 1970s I thought that central planning combined with democratic control along the lines argued for by (e.g.) Ernest Mandel was possible and desirable. Towards the end of the decade I stumbled upon the economic calculation argument, as briefly stated by David Ramsay Steele in a readable pamphlet. I didn’t understand it fully but I kept worrying at the problem it posed. In the 1980s I read Geoffrey Hodgson’s The Democratic Economy, and Alec Nove’s The Economics of Feasible Socialism, which made some socialist sense of the same argument.

Recently I’ve been interested in the more radical market socialism proposed by David Schweickart. The only serious socialist arguments against market socialism are those of Paul Cockshott et al for a democratic, cybernetically planned economy – which I don’t have the mathematics to follow in detail, but which I keep dragging to the attention of anyone who does.

Meanwhile, in my own neck of the woods, the Scottish Socialist Party offers a 12-point plan for a ‘Scottish socialist republic’, one of whose 12 points is:

‘Supermarket prices will be frozen.’

Sometimes I wonder why I bother.

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Friday, May 18, 2012



Moon over Gotham

It's now a fortnight since I went to America for a panel at the PEN World Voices Festival of International Literature, and high time I wrote about it. PEN American Center looked after me very well, and paid for my flights, accommodation and transport.

Early on Friday afternoon I was met at Newark NJ airport by a driver from Diva
Limo, who whisked me to the hotel, the Jolly Madison Towers on 38th and Madison
(near Grand Central). The hotel was splendid and the room was good - nothing
fancy, but plenty of room and everything ship-shape. So I had a shower and then
walked down 3rd Avenue to the main Festival hotel, the Standard in Cooper
Square. I was wearing my black boots (as they're the nearest I have to smart
shoes) and I got a blister that hurt for the rest of my stay - by Monday it was
quite painful, though it started to go as soon as I got home and changed back into
trainers.

Anyway, I enjoyed the walk, which took about forty minutes. The Standard is just across from the old Cooper Union building and next door to the new one, which looks like an aluminium Culture Ship.



Just off the reception at the Standard is a quiet parlour called the Library, with books around the walls and lots of sofas and soft chairs. This room was being used as the PEN hospitality suite. It opens onto a plaza with tables and more seats. I introduced myself to a young lady sitting with a laptop beside by a stack of Festival programmes. Her name was Emma Connolly and she welcomed me on behalf of PEN. I drank some water and ate a pastry from the table and I was just replying to an email from Julian Sanchez when he walked in. He's 33 and thin and talks as enthusiastically as Charlie Stross. He was wearing jeans, a striped jacket, and shirt with a bow tie: the very image of a Cato Institute free-market libertarian.

Talking and smoking as I hirpled beside him, Julian took me out for a drink via a lecture he wanted to hear at a nearby university, where a conference was going on on Anonymity and Identity in the Digital Age. This turned out to be actually relevant to both the panel topic and my thinking about my next book: there was an intriguing discussion of how anonymous can data really be - if, say, patients' medical records are used for epidemiological (etc) purposes, the more relevant facts a given record includes the less effectively it's anonymized. Julian put the point in a self-acknowledged geeky way: '"Sarah Connor"', he said, 'is not a unique identifier - but that doesn't help Sarah Connor.'

What really struck me from the discussion was how confident everyone was that legislators were open to rational persuasion, and that between good programming practice (with a bit of revision I could design the SQL or Excel query myself) and well-formulated regulation that particular problem could be solved.

We had drinks in a dim but posh tavern and I impressed Julian with my e-cig if not my now jet-lagged conversation. Then we went back to the hotel and into its fine bar (which is opposite the main doors, glass-walled and accessible from the street) to join Julian's girl-friend Kashmir (who is a reporter for Forbes and is nice) and some of their friends. Julian, Kashmir and I had dinner in a Vietnamese vegetarian restaurant in the East Village for something ridiculous like $20 each including tip. By this time it was about ten and I left them at the hotel and walked back to mine. I hit the sack and got a good night's sleep, followed by a good continental breakfast. I went for a stroll around the vicinity, which turned out to be the Fashion District (mostly closed for Saturday), then back to the hotel in time to be picked up by another Diva Limo car at noon.

The line-up for the panel, in the new Cooper Union, was: Larry Siems introducing, Julian chairing, Catherine Crump from the ACLU, me, and Russian writer Ludmilla Ulitskaya and Romanian writer Gabriella Adameșteanu (who turned up with three or four friendly people from the Romanian Cultural Institute).

Ludmilla and Gabriella had interpreters on stage, which made made the discussion a bit less free-flowing than usual (and bit odd for me because of the whispering at either side). But it seemed to go well, and everyone I spoke to afterwards said that it had. It was covered in the New York Times, though Julian felt (and I agree) that the report cast an unfounded aspersion on him.

Patrick and Teresa Nielsen Hayden were there and took me, Julian, and Kashmir out for a late lunch at a Ukrainian diner. At one point Julian was talking about an alarmist article he'd read about the countermeasures teenagers take against electronic tracking by their parents, and Patrick remarked: 'We're raising kids to behave like characters in spy novels!'

Patrick invited me to drop by Tor any time between 12 and 3 on Monday. After Patrick and Teresa headed home, I left Julian and Kashmir on the way to the hotel and set off for St Mark's Bookshop, which I was sure was in St Mark's Place. It wasn't, but I had an interesting walk finding out. The bookshop itself was just as I remembered it from my previous visit back in the late 90s, full of academic left (cultural studies etc) and general books in so many bookcases that it's hard not to brush against a sharp corner. (This happened to my son Michael that time, making a tiny scratch on the casing of a new sports watch he'd saved for for months and had just bought at Nike. I still have a pang about that.)

In a back corner are two revolving racks of left-wing journals. One contains the respectable left (In These Times, Dollars and Sense, ISJ) and the other the far left and ultra-left: Spartacist, Maoist, and three left-communist journals which are as mutually hostile and politically indistinguishable as they were when I first encountered them in Compendium in Camden in 1976 and whose format, layout and fonts, as well as their contents, are exactly the same as they were then. I gave all these a cursory browse and a determined miss and bought a copy of Strunk's The Elements of Style, for about $4.

Looking for something to do before the party at 10, I found a poetry event in the ground floor of the Standard, and very good it was too, with a lively young black MC and several poets. One was pregnant - 'She's eating for two, and she's reading for two!' the MC said. There was a real feeling of a buzz of new poetry and experiment. Also, free wine, cocktails and cookies.

I made the most of left-over wine and cookies while hanging around the plaza until the party. It was in the 21st-floor penthouse, which had a huge suite (including a bedroom) and an all-round balcony, which had as you can imagine (you'll have to, because my camera was recharging) the most amazing views of Manhattan at night.

'This is Ayn Rand's New York!' I said to Emma Connolly, the nice young woman who'd greeted me. 'All it needs is a naked man on a cliff,' she replied, impressing me with her knowledge of The Fountainhead.

Later I got into a conversation with Leily Kleinbard, who as well as working for PEN works with Larry Seims and others on Reckoning With Torture, a project to develop a film that they hope will go viral. I agreed whole-heartedly with the aim, but in articulating my own fury and frustration on the issue I'm afraid I bent her ear a bit (though she assured me later I hadn't).

Around midnight I saw that Oana Radu, one of the women I'd spoken with earlier from the Romanian cultural centre, had her coat on and went over to say goodnight. It turned out her hotel was near mine so we shared a taxi which dropped her off.

The following morning I strolled down Madison Avenue to Washington Square and then into Greenwich Village, took a phone call from the editor of a computer magazine that's publishing a short story I've just written, and then walked over to Cooper Union to listen to a panel on Occupy with the editors of the Occupy! Gazette.



After this I mooched about for a bit, had an over-priced but welcome bagel, walked around a few blocks of the East village, and just before five joined the block-long queue for Salman Rushdie's Arthur Miller Lecture. This was in the main auditorium of the old Cooper Union, a most impressive hall which was packed with mostly young people. Rushdie's talk, as you can see from the video, was brief, witty and interesting, and followed by a Q & A session with Gary Shteyngart, the American son of Russian dissidents.

I bought a $20 Metro pass (spending exactly $10 too much, as I thought at this time that I'd have to make my own way to the airport) and took the line up to Grand Central, went back to the hotel and showered and changed. Back down for 8.30.

The party was in the top of the Clock Tower of the old Cooper Union: one bare room, with an opening to a balcony, and the workings of the clock itself on show inside. The party started slowly but soon got busy. Early on I joined others outside to see the moon rising, huge and orange, just one night after full.

It felt strange being in the same room as Salman Rushdie, and I hung around the edge of a semi-circle around him on the balcony while he held forth on the short film 'Powers of Ten', which he said showed the non-existence of God. I chatted to a few people, including Beth Weinstein, who'd arranged everything for me and who I met for the first time there. She told me that a car would pick me up for the airport.

I took the subway back after the party finished at 11.

Monday morning I got breakfast, showered, packed, checked out and left my luggage and took the subway to the nearest station to the Flatiron. When I turned up at noon Patrick asked me to come back in an hour. I wandered on, around a small branch of Barnes & Noble, and back. Patrick took me and Steve Gould out to lunch, which was good, then recommended I should check out Union Square, which he said was the real heart of New York. I walked down and found a busy organic market and an Occupy stall and a generally lively scene.



Subway back to hotel, car to airport, home! - and jet-lag for a fortnight.

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Wednesday, March 28, 2012



The fruit-fly at the end of the universe

Genomics forum Playwright in Residence Peter Arnott has spent a year reading, talking and thinking about genomics, evolution, life, the universe and everything. I've seen the stacks of books on his desk and I've seen him working, and I can say he has worked hard, throwing himself into a whole new field of knowledge with admirable enthusiasm and application. Never content with received wisdom, Peter has delved deep and thought for himself, as his earlier production on the Scopes Trial showed.

Tomorrow night (7.30 pm) at the Traverse we have an opportunity to enjoy the fruits of his intellectual and artistic labour, with his theatrical production Talent Night in the Fly Room.
Somewhere in the far future, the last genetically engineered survivors of the human race come together one last time in the library at the end of time. Stored here in the bowels of Antarctica is the sum total of all human knowledge, as well as a DNA library of every species that has ever lived. Unfortunately, everyone has forgotten how to read.
Tickets are only £6 and can be booked by calling the box office on 0131 228 1404 or clicking the 'Book Now' button on the website.

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Tuesday, March 27, 2012



Dejah View



(Source.)

'Take to your paraloons!'

This bizarre speech-bubble, and a panel showing John Carter, Dejah Thoris and maybe someone else dropping from the sky hanging from balloons attached to their parachute harnesses as their stricken flyer spirals groundward, are almost my only memories of my first encounter with Barsoom. (You can see what's very likely the preceding page here.) I seem to remember also the couple gazing fondly at a large egg, from which a Carter-Thoris offspring is soon to hatch. John Carter was the first married hero I'd ever seen in a comic. That wasn't the only shock on its pages, peopled as they were by hideous entities that seemed to me almost demonic.

Years later, in my early teens, I met them again in print. This time it was my mother who made the same mistake, and expelled my borrowed Burroughs paperbacks from the manse. It's probably as well she judged the books by their covers: she'd have been far more upset if she'd looked at the pages. Just as well, also, that she never noticed that they shared an author with the Tarzan books, which she regarded as innocent enough, more or less on a par with Biggles.

Colour, adventure, and an aura of sexuality and scepticism - all these cunning priests and false gods - were what stuck in my mind. That and cliff-hanger endings, which - given the random nature of my access to the stories - left me feeling cheated. I more or less forgot Burroughs, though I smiled at the allusions I found in other, ostensibly more sober, tales set on Mars. Every respected SF writer, it seems, has to pay back that early debt. Blish's genius kid Dolph Haertel, stranded by a glitch in his home-built space-drive, notes of one of the moons that it was not 'the low-hanging, looming Deimos' of Burroughs' Mars.

So, though never a great ERB fan, I recalled the tales with enough affection that I was thrilled to see the first clip from a trailer of the John Carter movie on some film discussion programme a year or so ago. I have to see this, I said. Reviews on release were so mixed that I was reluctant to drag anyone along but my daughter, the other SF fan in my family but I still felt I had to see it for myself, and my daughter - the other SF fan in the family - was keen to see it too. [Correction instigated by said daughter - see comments.] We saw it at a mid-day screening last Wednesday. Apart from three other people, one of whom left early, we had the cinema to ourselves.

We enjoyed it. Not a dull minute. The film has flaws all right - there are plenty of daft minutes - but it's one I'd happily watch again. (For a review that strikes me as reasonably close to my own experience of the film's strengths and weaknesses, go here.)



(Source.)

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Friday, March 23, 2012



Another Practical Handbook



The other day I picked up in the library a nifty little management and self-help paperback called The Art of Always Being Right, by Arthur Schopenhauer. I read it in half an hour, with yelps of joy and pain. In the fine tradition of Machiavelli, Edward Luttwak and Darrel Huff, this book enlightens the just in the guise of instructing the wicked. (Or, just maybe, the other way round.)

You can read all about it and read the whole thing free online in several places, including a graphic version by someone fully aware of all internet traditions. (Via.)

Remember to use this power only for good.

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Tuesday, March 20, 2012



Another brilliant enLIGHTen video

Michael MacLeod has made a time-lapse video that really captures this great project:

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enLIGHTen shines on, online

enLIGHTen is over, but you can still enjoy audio, video and images here, as well as photos and tweets.

Here's a time-lapse video of the installation at the Royal Society of Edinburgh:

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Thursday, March 08, 2012



Singularity&Co.

A great SF publishing project from the amazing Cici James (thanks, @ashkalb):

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Wednesday, March 07, 2012



Like some watcher of the skies



It seems to be in the nature of things that people discover Lucretius by sheer accident. Take this typical account:
'Started reading Lucretius, 'On the Nature of Things'. I'd got the book years ago but got bogged down somewhere around the refutation of Heraclitus. This time my interest and the power of the writing carry me over the drier patches without difficulty ...

Finished Lucretius. After it there is something dishonourable about being anything other than a materialist.'
Or this:
In his early teens he had read with delight the poem of Lucretius, in a tatty old paperback published by Sphere Books in 1969 with a Max Ernst picture on the cover. He'd found it in the attic of his parents's house [...] On the inside cover the pencilled words were just legible:

Here rolls
The large verse of Lucretius, who raised
His index-finger and did strike the face
Of fleeting Time, leaving a scar of thought
The rain of ages shall not wash away.


[...] It was an obscure thrill imparted by the lines that impelled him to turn over the pages of the book, and then to read it. He found a great deal in those pages that left imprints on his brain [...]
Actually, I've cheated: the first quote is from my own appallingly Molish diary from 1977, the second is from Intrusion, and I could as easily add a third, a circumstantially fictitious but emotionally accurate rendering of my own response:

For the first time in my life, I had heard good news. I drank that black gospel to the lees.

But this one (coincidentally referring to the very same edition) is genuine:
I had very little pocket money, but the bookstore would routinely sell its unwanted titles for ridiculously small sums. They were jumbled together in bins through which I would rummage until something caught my eye. On one of my forays, I was struck by an extremely odd paperback cover, a detail from a painting by the Surrealist Max Ernst. Under a crescent moon, high above the earth, two pairs of legs—the bodies were missing—were engaged in what appeared to be an act of celestial coition. The book, a prose translation of Lucretius’ two-thousand-year-old poem “On the Nature of Things” (“De Rerum Natura”), was marked down to ten cents, and I bought it as much for the cover as for the classical account of the material universe.

Ancient physics is not a particularly promising subject for vacation reading, but sometime over the summer I idly picked up the book. The Roman poet begins his work (in Martin Ferguson Smith’s careful rendering) with an ardent hymn to Venus [...] Startled by the intensity, I continued, past a prayer for peace, a tribute to the wisdom of the philosopher Epicurus, a resolute condemnation of superstitious fears, and into a lengthy exposition of philosophical first principles. I found the book thrilling.
This was the genesis of Stephen Greenblatt's The Swerve, an acclaimed new book on the consequences of the accidental rediscovery of the only surviving copy of Lucretius in medieval Italy.

As an accidental consequence of reading about that book, I stumbled upon a recent translation of Lucretius that I'd never heard of: a 2007 Penguin Classics edition, translated by the distinguished poet A. E. Stallings into rhyming fourteeners - a project that she herself says 'might seem crazy in modern times'. Naturally I bought and read it straight away.

What can I say? It works, and it's a delight.

There's a lot to be said for good prose translations - the lucid, much-loved and recently-revised Penguin Classic by Ronald Latham, the aforementioned careful rendering (also recently-revised) by Martin Ferguson Smith - and modern verse translations such as Rolfe Humphries' The Way Things Are or the dogged, plodding but sometimes soaring regular metre of Palmer Bovie's long out-of-print, poorly-published but well-received 1974 paperback.

But Stallings' quaint relentless drumbeat is in a class of its own, and is the only version anyone is ever likely to memorise and recite lines from. Her handling of the one line everybody knows, the line that Voltaire said would last as long as the world, is a touchstone:

So potent was Religion in persuading to do wrong.

The rhyme-scheme and metre are the same as those Chapman used for his Homer. Some day, perhaps centuries hence, another poet will write 'On First Looking Into Stallings' Lucretius'.

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Tuesday, March 06, 2012



The Jura Recovery


Today on the SFX website: an interview with me about my stay on Jura (which I wrote about earlier) and a chance to win a three-night break for two in the Jura Lodge! The pictures of the interior of the Lodge do not exaggerate its quirky splendour in the slightest - this is a prize worth winning.

There's also a direct link to the site where the story itself is now available to read, free. You have to go through a little rigmarole to get there (including affirming that you're of legal age to drink alcohol in your country of residence), but I think you'll find it's worth it - if you like tall tales inspired by an entirely imaginary Scottish space programme and by such mysterious artifacts as the one shown here.

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Friday, March 02, 2012



enLIGHTen switches on

The launch yesterday afternoon of enLIGHTen exceeded expectations. After a deal of mingling, sipping, and nibbling in one of the Royal Society of Edinburgh's splendid halls, followed by introductory speeches, I read out my own story, with additional Scottish voices and accents supplied by Gavin Inglis, and Sam Oliver doing an impression of Ben Franklin. Photos from the event are here.

Then enLIGHTen project manager Sara Grady led the crowd out to St Andrew's Square, where we waited for enough dusk to gather for the projection to be switched on. William Letford recited his evocative poem, we all counted down, and Ali Bowden threw the switch.

And then, flickering up the column in the centre of the square, came a jumble of letters that seemingly self-assembled into a quotation from David Hume: 'Truth springs from argument amongst friends.'

On the bus home I passed Charlotte Square, where the project's installation is a truly eye-filling illuminated and ever-changing globe in celebration of the most famous phrase of Hutton.

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Thursday, March 01, 2012



Lights! Camera! Action!


My new novel Intrusion is published today, and is available from Amazon and all good booksellers (one of which will have signed (and, if you like, personalised) copies any day now).

(Update: Cory Doctorow's enthusiastic review is now up on BoingBoing. Yay!)

The story's premise is:

A single-dose pill has been developed that corrects, without risk, many common genetic errors in a developing foetus. When a pregnant woman refuses to take The Fix, as the pill is known, she divides friends, family and even the law with a moral dilemma. Is her decision a private matter of individual choice, or is it tantamount to wilful neglect of her unborn child?

To celebrate the book and the source of some of its inspiration, the ESRC Genomics Policy and Research Forum is sponsoring a launch event at Pulp Fiction (43 Bread Street, Edinburgh, EH3 9AH) on 21 March, 6.30 - 8.30 pm. The event will include me reading from the book and discussing it in conversation with Stuart Kelly, literary editor for the Scotsman newspaper group. Also: free drinks!

The event is free but spaces are limited: book online here.

There's a quite different launch event today, for enLIGHTen, an ambitious celebration of the Scottish Enlightenment, and I'm delighted and very much honoured to be taking part in it by reading (with Gavin Inglis and Sam Oliver doing the voices) my flash fiction in honour of Adam Smith.

Invitation only for that one, but a full account - including a link to all the stories and readings - tomorrow, if we're spared.

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Sunday, February 26, 2012



An observation

Britain is enjoying a week or two of early-evening bright ISS passes, and whenever the Scottish cloud cover breaks for the right five minutes I step outside to watch our only space station sail across the sunset sky.

Several times in the dark ages before I knew about Heavens-Above and @VirtualAstro and the like I spotted what I thought was the ISS but was actually an Iridium flare.

Which is why, in at least two published books, I've described the ISS as going from south to north or vice versa, and as flaring and fading ...

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Friday, February 10, 2012



City of Lit does city of light


I'm very pleased to be a small part of the Edinburgh City of Literature Trust's imaginative project, enLIGHTen, celebrating the Scottish Enlightenment with light and sound. My contribution is a flash fiction inspired by a quote from Adam Smith:
‘Science is the great antidote to the poison of enthusiasm and superstition’
The quote will be projected near the Royal Society building in George Street, with my story as an accompanying audio download.

To tell you the truth, though, the story was just as much inspired by the nearby statue of James Clerk Maxwell, which shows the great man apparently contemplating a CD. No spoilers, but if I say 'post-singularity', seasoned SF readers will be able to take it from there.

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